Hosoda eishi biography of barack

  • Born into Edo's samurai class, Eishi began his career in the realm of courtly art, studying Kano school painting under Kano Eisen'in Michinobu (1730-90).
  • Title: The tayu Hanaogi of Ogiya; Names: Hosoda, Eishi, 1756-1829 (Printmaker): Eijudo (Japanese, active 18th century) (Publisher); Collection.
  • A good selection of Eishōsai Chōki's work appears next.

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    Japanese prints collection

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     Collection

    Identifier: MS-2013-043

    Dates

    • Creation: circa 1765-1964 (bulk 1780-1860)
    • Creation: Majority of material found within 1780 - 1860

    Scope and Contents

    This collection contains Japanese artwork dating from the mid-eighteenth to the mid-twentieth centuries. While the majority of this collection consists of ukiyo-e woodblock prints, there are also a number of examples of the mingei (folk art) movement and the sosaku hanga ("creative prints") movement of the early 20th century, including pieces by Sadao Watanabe, Kiyoshi Saito, and Unichi Hiratsuka.

    The bulk of the ukiyo-e prints are by Ando Hiroshige; other notable artists include Katsushika Hokusai, Katsukawa Shunko, Kitagawa Utamaro, and Isoda Koryusai. The collection contains 46 prints from Hiroshige's famous series "The Fifty Three Stations of the Tokaido Road," as well as several images from other series including &quo

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    Enfilade

    Utagawa Toyokuni I, Women Washing and Stretching Cloth, ca. 1795,
    woodblock print triptych, 71.5 by 37 cm

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    This year’s Asia Week in New York (March 10–19) offers an array of auctions, lectures, and exhibitions, including this one at Scholten Japanese Art:

    Ukiyo-e Tales: Stories from the Floating World
    Scholten Japanese Art, New York, 10–31 March 2016

    Scholten Japanese Art participates in Asia Week 2016 with Ukiyo-e Tales: Stories from the Floating World, an exhibition focused on classic Japanese woodblock prints. The exhibition will take us back to the golden age of ukiyo-e and will feature works by some of the most important artists of the late 18th and up to the mid-19th century. We will focus predominately on images of beauties and the layers of meaning and stories that are conveyed via subtle (and sometimes not so subtle) clues found in the compositions. The exhibition will begin with works by Suzuki Harunobu (ca. 1724–70), who fryst vatten

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    Artist

    • Aikawa, Minwa (aka Gosentei)
    • Aikins, Suezan
    • Akiyama, Iwao
    • Amano, Kunihiro
    • Arichi, Yoshito
    • Ashiyuki
    • Azumaya, Takemi
    • Bairei
    • Bakufu
    • Bannai, Kokan
    • Beato, Felice
    • Beisaku
    • Biho
    • Buncho
    • Bunro
    • Chen, Long
    • Chikanobu
    • Chikashige
    • Chikayoshi
    • Chikuseki
    • Choki
    • Dai, Bin
    • Eiri
    • Eisen
    • Eishi
    • Eisho
    • Eizan
    • Fukita, Fumiaki
    • Fukuda, Heihachiro
    • Fusatane
    • Gakutei
    • Gakyo
    • Gekko
    • Gift Certificate
    • Ginko
    • Goto, Michiyoshi
    • Goyo
    • Gyozan
    • Hara, Katsuro
    • Harunobu
    • Hasegawa, Konobu
    • Hashimoto, Okiie
    • Hashimoto, Ryoka
    • Hasui
    • Hidematsu
    • Hidenari
    • Hirano, Hakuho
    • Hirokage
    • Hironobu
    • Hirosada
    • Hiroshige
    • Hiroshige & Toyokuni III
    • Hiroshige II
    • Hiroshige III
    • Hoitsu
    • Hokkei
    • Hokuba
    • Hokuei
    • Hokuga
    • Hokusai
    • Hokushu
    • Hokutai
    • Horiyoshi III
    • Hoson
    • Iizuka, Kunio
    • Ikeda, Terukata
    • Ikeda, Zuigetsu
    • Ikegami, Isao
    • Ikkei
    • Ikuhide
    • Inagaki, Tomoo
    • Inagaki, Toshijiro
    • Inuzuka, Taisui
    • Ishii, Toru
    • Ishimoto, Yasuhiro
    • Ito, Nisaburo
    • Kamei, Tobei (Genbei)
    • Kan
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