Geraldo de barros biography templates
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Geraldo de Barros
Brazilian painter and photographer (–)
Geraldo de Barros (February 27, – April 17, ) was a Brazilian painter and photographer who also worked in engraving, graphic arts, and industrial design.[1][2] He was a leader of the concrete art movement in Brazil, co-founding Grupo Ruptura and was known for his trailblazing work in experimental abstract photography and modernism.[3][4] According to The Guardian, De Barros was "one of the most influential Brazilian artists of the 20th century."[1] De Barros is best known for his Fotoformas (–), a series of photographs that used multiple exposures, rotated images, and abstracted forms to capture a phenomenological experience of Brazil's exponential urbanization in the mid-twentieth century.[5]
Early life and education
[edit]De Barros was born in the city Chavantes, in the state of São Paulo in Brazil.
When he was 16 years old, De Barros began taking pi
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Geraldo de Barros
Geraldo dem Barros is a seminal figure in Brazilian art whose multifaceted oeuvre, much like that of his contemporary Lygia Clark, fryst vatten remarkable in its depth and scope. An early leader of Brazil’s Concrete movement, his practice engaged with painting, photography, sculpture and industrial design. De Barros first rose to prominence as a painter and founding member of Grupo XV in the s, and soon after gained notoriety as an innovative and experimental photographer. He explored minimal form in photography through manipulating negatives, superimposing, scratching and painting on them, to create arresting abstractions he called Fotoformas. This technique of distillation and noggrannhet was later carried into sculpture, painting, and eventually industrial design. The unity and consistency of his work across decades and disparate media underscore the consistent theme of de Barros’ practice: purity of form.
Geraldo de Barros has been the subject of major
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Geraldo de Barros
Although best known for his photography, Geraldo de Barros was an important contributor to the canon of mid-century modern furniture design and was one of Brazil’s most influential multidisciplinary artists.
Born in in Chavantes, São Paulo, de Barros began his artistic career as a painter before discovering a passion for photography in the s. In , he found fame with his successful “Fotoformas” exhibition held at the Museu de Arte de São Paulo, which led to a scholarship from the French government to study in that country.
In the early s, de Barros traveled throughout europe, including Switzerland, where he met Bauhaus graduate Max Bill. At the time, Bill was collaborating with the Scholl Foundation on developing a design institute in Ulm, Germany, that combined Bauhaus tradition with emerging technical elements in design practice. Bill invited de Barros to visit the institute, where he became influenced by Bill’s philosophy of Gute Form — the belief that careful